CHRISTIE’S RELEASE: David Hockney’s ‘Early Morning, Sainte-Maxime’ to highlight 20th / 21st Century: London Evening Sale on 13 October 2022
CHRISTIE’S PRESENTS DAVID HOCKNEY’S MASTERPIECE EARLY MORNING, SAINTE-MAXIME (1969) THE SALE WILL MARK THE FIRST TIME THAT THE PAINTING HAS BEEN SEEN AT AUCTION IN MORE THAN 30 YEARS ON VIEW IN SEOUL FROM 3 TO 5 SEPTEMBER 2022
20 T H / 21 S T CENTURY: LONDON EVENING SALE 13 OCTOBER 2022
David Hockney, Early Morning, Sainte-Maxime (1969, estimate: £7,000,000-10,000,000) • David Hockney’s Early Morning, Sainte-Maxime (1969, estimate: £7,000,000-10,000,000) will highlight Christie’s 20th / 21st Century: London Evening Sale on 13 October 2022 • Following an international exhibition, beginning in Seoul on 3 September, the painting will be exhibited in London for the first time since being unveiled in Hockney’s retrospective at the Whitechapel Gallery in 1970 • Depicting a sublime view in the South of France, Early Morning, Sainte-Maxime is a tribute to Hockney’s emotional state at the height of his relationship with Peter Schlesinger and anticipates some of the artist’s greatest works • The painting will be on view in Seoul from 3 to 5 September 2022*, the first time that Christie’s has presented work in South Korea as part of a pre-sale exhibition.
The display will coincide with Seoul Art Week and Christie’s exhibition (Flesh and Soul: Bacon/Ghenie) at BOONTHESHOP LONDON – David Hockney’s Early Morning, Sainte-Maxime (1969, estimate: £7,000,000-10,000,000) is a radiant painting that is situated between the artist’s seminal Californian swimming pool paintings and the pioneering ‘naturalistic’ double portraits. Early Morning, Sainte-Maxime will highlight Christie’s 20th / 21st Century: London Evening Sale on 13 October 2022.
The painting is a sublime tribute to the South of France, rendered in exquisite detail. Originally unveiled in London as part of Hockney’s retrospective at the Whitechapel in 1970, the sale will mark the first time that the work has been seen in the capital in more than 50 years. Early Morning, Sainte-Maxime was last seen at auction in New York in 1988. A global exhibition will begin in Seoul from 3 to 5 September, before touring to Hong Kong from 14 to 16 September and New York from 24 to 28 September.
The pre-sale exhibition at Christie’s Headquarters on London’s King Street will take place from 6 to 13 October 2022.
Early Morning, Sainte-Maxime is one of four paintings based on photographs taken during a trip to France with Hockney’s then partner, Peter Schlesinger, in autumn 1968. It was at this time that the pair first spent time in the home of the film director, Tony Richardson, near Saint Tropez. They became regular guests at the lavish parties Richardson threw at ‘Le Nid du Duc’, set in the mountains just outside Le Garde-Freinet. Hockney had returned to London in 1968 after spending four years in California and the South of France became an instant draw for him and Schlesinger, with its sparkling waters and endless summers, and would come to play a central role in their relationship.
It was Richardson’s home that became the setting for Portrait of an Artist (Pool with Two Figures) when the relationship ended between Hockney and Schlesinger in 1971.
Katharine Arnold, Head of Post-War and Contemporary Art, Christie’s Europe:
“In David Hockney’s Early Morning, Sainte-Maxime, we see the artist expressing his feelings of deep contentment and ease as his relationship with Peter Schlesinger was blossoming. This exquisite scene captures the vibrant hues that the sun casts as it rises over the glistening water of the French Riviera. Early Morning, Sainte-Maxime demonstrates Hockney’s masterful ability to translate the multifaceted qualities of water to canvas, something that he had recently achieved to poetic effect in his Californian swimming pool paintings. The painting also precedes Hockney’s masterpiece, Portrait of an Artist (Pool with Two Figures), created as the artist came to terms with the heartbreak he endured at the end of the relationship with Peter Schlesinger. The work’s spectacular sweeping reflection seems to echo the gestural drama of his 1967 masterpiece A Bigger Splash (Tate, London). We are delighted to present a seminal painting by one of Britain’s leading artists as a highlight of the Frieze Week auction programme at Christie’s.”
Cristian Albu, Co-Head, 20th and 21st Century Art Department, Christie’s Asia Pacific:
“Christie’s has been committed to developing our client base in South Korea since we set up an office in Seoul in 1995. This year, to coincide with our museum-quality exhibition (Flesh and Soul: Bacon/Ghenie), I am delighted that we will also display such a powerful painting by David Hockney in our first pre-sale exhibition in Seoul. As the art world congregates for Seoul’s dynamic Art Week and the inaugural edition of Frieze art fair in the city, we are sure that this magnificent, early example of Hockney’s explorations of water will resonate with collectors.”
It was Peter Schlesinger who, indirectly, had first prompted Hockney to think about light: a move that brought about a seismic shift in his practice. While painting The Room, Tarzana (1967), a tender portrait of Schlesinger asleep upon a bed, the artist began to perceive light as a subject in its own right. Hockney had broached some of these concerns in his depictions of swimming pools: water ultimately became a repository of light, ever-changing and never static. These concerns came to a head in Early Morning, Sainte-Maxime.
* To coincide with Seoul Art Week, David Hockney’s Early Morning, Sainte-Maxime will be on view in BOONTHESHOP – Cheongdam, B1, 21, Apgujeong-ro 60-gil, Gangnam-gu, Seoul from 3 to 5 September.
Flesh and Soul: Bacon/Ghenie Exhibition in Seoul Date & Time: 2 Sept, 10am – 1pm: Media Preview 3 – 5 Sept, 11am – 6pm: Public Preview Location: BOONTHESHOP – Cheongdam, B1, 21, Apgujeong-ro 60-gil, Gangnam-gu, Seoul Website:
https://www.christies.com/events/flesh-and-soul/
About Christie’s
Founded in 1766, Christie’s is a world-leading art and luxury business. Renowned and trusted for its expert live and online auctions, as well as its bespoke private sales, Christie’s offers a full portfolio of global services to its clients, including art appraisal, art financing, international real estate and education. Christie’s has a physical presence in 46 countries, throughout the Americas, Europe, Middle East, and Asia Pacific, with flagship international sales hubs in New York, London, Hong Kong, Paris and Geneva. It also is the only international auction house authorized to hold sales in mainland China (Shanghai). Christie’s auctions span more than 80 art and luxury categories, at price points ranging from $200 to over $100 million. In recent years, Christie’s has achieved the world record price for an artwork at auction (Leonardo da Vinci’s Salvator Mundi, 2017), for a 20th century artwork (Andy Warhol’s Shot Sage Blue Marilyn, 2022, for a single charitable collection sale (the Collection of Peggy and David Rockefeller, 2018), and for a work by a living artist (Jeff Koons’ Rabbit, 2019). Christie’s Private Sales offers a seamless service for buying and selling art, jewellery and watches outside of the auction calendar, working exclusively with Christie’s specialists at a client’s individual pace. Recent innovations at Christie’s include groundbreaking sale of the first NFT for a digital work of art ever offered at a major auction house (Beeple’s Everydays, March 2021), with the unprecedented acceptance of cryptocurrency as a means of payment. As an industry leader in digital innovation, Christie’s also continues to pioneer new technologies that are redefining the business of art, including the use of hologram technology to tour life-size 3D objects around the world, and the creation of viewing and bidding experiences that integrate augmented reality, global livestreaming, buy-now channels, and hybrid sales formats.
Christie’s is dedicated to advancing responsible culture throughout its business and communities worldwide, including achieving sustainability through net zero carbon emissions by 2030, and actively using its platform in the art world to amplify underrepresented voices and support positive change.
Browse, bid, discover, and join us for the best of art and luxury at: www.christies.com or by downloading Christie’s apps.
